Biography
Linda Lach’s (b. 1995 in Warsaw PL) practice explores topics of recurrent translations and intimacy through performative sculptures, installations, video and poetry utilizing materials such as wood, leather, cotton, plastic and human milk. Her material gestures expand the presence and extend the social function of sculpture and performance by focusing on atemporality, self-exploitation and acts of brutality which exist beyond our categories of safe and threatening. Concerned with the current political peril of eastern Europe, through her practice, lach navigates the surface of the ongoing symbolic dissolution and engages the inevitable reactionary reterritorialization of our reality.
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Biography
Linda Lach’s (b. 1995 in Warsaw PL) practice explores topics of recurrent translations and intimacy through performative sculptures, installations, video and poetry utilizing materials such as wood, leather, cotton, plastic and human milk. Her material gestures expand the presence and extend the social function of sculpture and performance by focusing on atemporality, self-exploitation and acts of brutality which exist beyond our categories of safe and threatening. Concerned with the current political peril of eastern Europe, through her practice, lach navigates the surface of the ongoing symbolic dissolution and engages the inevitable reactionary reterritorialization of our reality.

















